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PAUL
REVERE AND THE RAIDERS (ARTIST BIOGRAPHY)
Paul Revere & the Raiders is an American rock band
that saw enormous mainstream success in the 1960s, best-known for
hits like “Indian Reservation (The Lament Of The Cherokee
Reservation Indian)” (1971), “Steppin’ Out”, “Kicks”, “Let Me”
(1969) and “Hungry” (1966).
The band, initially located in Boise, Idaho, started as an
instrumental rock outfit led by organist Paul Revere, named in honor
of the Revolutionary War hero, who in his early twenties already
owned several restaurants in Portland, Oregon. Singer Mark Lindsay
joined in 1958. Originally called The Downbeats, their name was
changed to Paul Revere & The Raiders in 1960 on the eve of their
first record release for Gardena Records. The band scored their
first Pacific Northwest regional hit in 1961 with “Like Long Hair”,
an instrumental. Revere was drafted, became a conscientious objector
and worked at a mental institution for a year and half of deferred
service. After reforming the band, they attracted national attention
again with a cover of “Louie Louie”, which was picked up by Columbia
Records although beaten in the charts by The Kingsmen’s version.
Known for their live high energy rock n’ roll performances they
consistently toured the Northwest - hitting the no-alcohol teen
venues where the testosterone levels were as high as the high school
beer buzzes that fueled the rowdy crowds of sweating dancers out for
the transcendence of the music, or maybe just to get laid. The
highlight of their gigs in the early 60’s was the 6 foot high
cardboard mock up of a can of Crisco that came on during the song
“Crisco Party”, which was about the delights of getting naked,
smearing yourself and your teenage honey all over in Crisco and
doing the diry boogie all night long. Never has an organ (Paul
Revere’s that is!) wailed so in tune with with the zeitgeist. Mark
Lindsay was always out in front, on stage and into the crowds, but
it was Paul Revere who lead the crowd involvement, bouncing the big
Crisco barrel off the stage and into the dancehalls and dance floors
of the teenage wastelands - before the Vietnam war changed the vibes
and the audiences began to sit and listen to the lyrics and innocent
horniness teenage was replaced by the searching for meaning in the
midst of a war that threatened to kill them.
They would maintain a huge level of popularity in the mid-1960s
beginning with “Just Like Me” (1965), which marked the beginning of
a string of garage rock classics. The Raiders, under the guidance of
producer Terry Melcher, increasingly emulated the sounds of British
Invasion bands such as The Beatles, The Rolling Stones, and The
Animals albeit with an American R&B feel.
The band appeared regularly on national television, especially on
Dick Clark’s Where the Action Is, Happening ‘68, and It’s Happening,
the latter two of which were co-hosted by Paul Revere and Mark
Lindsay. Here they were presented as the American response to the
British Invasion. The group wore American Revolutionary War soldier
uniforms and performed slapstick comedy and synchronized dance steps
while the ponytailed Lindsay lip synched to their music. This
farcical, cartoonish image obscured the proto-hard rock sound that
their music often took.
Their hits from the mid-60’s included “Kicks” (Billboard Pop Chart
#4), “Him or Me - What’s It Gonna Be?” (#7), “Good Thing” (#5),
“Hungry” (#5), and “Great Airplane Strike” (#20). Of these, “Kicks”
became their best-known song, an anti-drug message written by Barry
Mann and Cynthia Weil that was especially akin to The Animals.
In mid-1967, with three gold albums to their credit, they were
Columbia Records’ top-selling rock band; their Greatest Hits album
was one of two releases selected by Clive Davis to try out a higher
list price for albums expected to be particularly popular, along
with Bob Dylan’s Greatest Hits.
Changing tastes in the late 1960s rendered the group unfashionable,
but they still continued to have hits through the rest of the
decade, “I Had A Dream” (1967 - #20), “Too Much Talk” (1968 - #18,
and an illustration of their tendency towards Beatles imitations),
and “Mr. Sun, Mr. Moon” (1969 - #18). Tensions between Lindsay and
Revere increased during this time; Lindsay wanted to go more in the
direction of hard rock acts like Led Zeppelin or the James Gang,
while Revere sought a bubblegum pop direction. Lindsay’s vision for
the Raiders was represented on songs such as “Let Me” (1969 - #20 -
Gold Single), “Powder Blue Mercedes Queen” (1972 - #54) and “Just
Seventeen” (1970 - #70) and the 1970 album Collage. By the time of
the release of Collage the band’s name was officially shortened to
The Raiders. “Freeborn Man”, written by Lindsay and bassist Keith
Allison, has since gone on to be a Country Rock standard, covered by
The Outlaws, Junior Brown, and Glen Campbell amongst many others.
Ironically, their single release “Indian Reservation” (1971 - #1 -
Platinum single) would be their biggest hit of all, after about a
year and a half or so of no hits.
In 1972 The Raiders made one last attempt at a pop album with
Country Wine but Columbia was sinking money into other acts, such as
Mott The Hoople and Aerosmith, and Country Wine and The Raiders sank
in the resulting quagmire.
Lindsay left the band in 1975 to continue his solo career as a
country star of sorts, landing a hit single with Kenny Young’s “Arizona”.
Country music was also the choice of short-lived member Freddy
Weller, who had more success in this market. Revere continued to put
together Raiders lineups with some success, but Lindsay had clearly
been the star of the band.
The punk rock and New Wave eras would see a wave of interest in the
Raiders’ music; “I’m Not Your Stepping Stone” was covered by The Sex
Pistols and Liverpool band The Farm (although The Monkees’ cover
version was more well known than the Raiders’ original), and later
“Just Like Me” would be covered by The Circle Jerks (as well as by
more mainstream figures like Joan Jett and Pat Benatar). “Hungry”
was also covered by Sammy Hagar. The Paisley Underground, garage
rock revival, and grunge movements would all acknowledge the
Raiders’ influence.
Revere has continued to play shows on the oldies circuit and in Las
Vegas with various Raiders. Lindsay is musically semi-retired and
lives in Hawaii, but occasionally plays. Other members of the band
constantly changed; bassist Keith Allison, who played in the Raiders
from 1968 to 1975, is probably the best known of them, and has since
gone into acting, and has appeared in the film Gods and Generals.
In 1997 the group’s classic Midnight Ride lineup - Mark Lindsay,
guitarist Drake Levin, bassist Phil “Fang” Volk, and drummer Mike
“Smitty” Smith - reunited in full costume (though without Revere
himself) for a one-off 30th anniversary performance in Portland.
Smith died four years later. |