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DONNA HIGHTOWER (ARTIST
BIOGRAPHY)
Donna Hightower (born
December 28, 1926) is an unjustly underrated yet great jazz and R&B
singer. "Little" Donna Hightower had a dynamic, big voice and made
some fine shouting records for Decca and RPM in the 1950's.
Donna Hightower was born in Caruthersville, Missouri on December 28,
1926, and is the oldest of nine children. Her family was typical of
many poor Southern African-American sharecropping families and she
remembers spending many days working as a field hand for $1 a day,
picking cotton. Her father didn’t believe in education so she had
very little formal schooling until much later in her life. She
remembers getting in trouble for listening to radio programs and
daydreaming of life better than what she saw around her. Being very
determined to get out of that lifestyle, she married early and had
two children. Since her first husband was in the military, they
moved often and called many cities “home” for short periods of time,
including St. Louis, Missouri and Gary, Indiana. After their divorce
in the late 1940’s, she moved to Chicago, Illinois and lived with
her cousin.
She was first discovered in 1951 while working as a cook in Chicago.
Bob Tilman, a reporter for the “Chicago Defender” was in the diner
having lunch, when he commented to a waitress that he really liked
the vocalist singing "Star Dust." He asked if she would turn up the
radio so that he could hear the orchestra's arrangement. The
waitress looked confused, so he repeated his request again. Finally,
she told the reporter that they didn't have a radio and said, "oh,
that's just Donna...she drives us crazy with her singing all the
time!" Tillman took Hightower around and introduced her to club
owners and she soon got regular bookings fronting bands at the
Strand Hotel Lounge, the Crown Propellor and other South Side
hotspots.
She came to the attention of Decca Records, which signed her and
suggested a name change. "They said it was too long and I said: 'Well,
it's got the same number of letters as "Ella Fitzgerald" ', and they
let it go." Hightower made a series of singles for Decca and RPM,
and in 1958 she was working in New York .She toured the "chitlin
circuit" with Louis Jordan and B.B. King at that time. She not only
had range and power, but was equally compelling doing sentimental,
soft ballads. She was backed by the orchestras of Horace Henderson
and Maxwell Davis on the Decca and RPM material, respectively.
The second phase of her career began in New York. Producer Dave
Cavenaugh had set up a session for Dakota Staton, but when the sassy
jazz-blues singer canceled, Cavenaugh scrambled for a replacement.
He remembered a voice he heard on a demo that Peggy Lee emulated on
a million-seller. Eventually, Hightower was tracked down in Brooklyn.
"My boss at the publishing company called one morning and asked if I
wanted to make a record for Capitol and I said: 'You bet!' "
Hightower recalled. "He said: 'Then get yourself to the studio by
noon.' " After taking the quickest shower of her life, Hightower
made it in time for the sessions, featuring sax giant Ben Webster,
which resulted in the critically acclaimed "Take One!" LP. Six
months later came "Gee Baby, Ain't I Good To You", which led to the
continent-changing 1959 booking at the Stork Club in London.
Donna Hightower is still performing in her eighties. She was
recently in Austin, Texas and in July 2005, she was the guest of
honor of the IV Festival Internacional de Jazz in Spain, featuring
her former tourmate B.B. King and others. Among her great hits, the
most famous is probably “This World Today Is a Mess”, a single that
sold 7 million copies in Europe. Her idols are Bessie Smith, Mildred
Bailey, Lee Wiley, Ella Fitzgerald, Maxine Sullivan and Sarah
Vaughan...
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