| ROBERT
DELGADO (ARTIST BIOGRAPHY)
Horst
Wende (5 November 1919 — 23 January 1996), was a German bandleader,
arranger and composer who made easy-listening records under his real
name as well as under his alias Roberto Delgado. He was part of the
wave of German-based easy listening artists who were popular in the
1960s and 1970s, along with Bert Kaempfert and James Last.
Born in Zeitz, Saxony, he showed musical proficiency at an early age.
He played in his grandfather’s band in a restaurant when he was six,
and by his teens he was accomplished at playing piano, accordion,
xylophone and marimba. He studied music at the Leipzig Conservatory.
He served in the German army during World War 2, but was captured by
the British. During his captivity in a Danish POW camp, he met a
guitarist named Ladi Geisler, with whom he soon formed a small
combo. After the war, he led various combos (which usually included
Geisler)in The Salambo Night Club from René Durand & The Tarantella
Night Club near the famous Reeperbahn. Horst also played with
British Service musicians and Big Bands like Edmundo Ros. Settling
in Hamburg, he became part of the burgeoning music scene in the port
city. Signed to the Polydor label in the 1950s, he made accordion
and dance band music under his own name. He also began to make Latin
music recordings under the pseudonym of Roberto Delgado & Mister
Pepper. The Delgado albums became popular in Europe, and then found
an audience in the UK and North America as Polydor opened up several
international subsidiaries. Polydor already had two top pop
orchestra stars in Bert Kaempfert and James Last, and many of their
fans began to buy Delgado records as well. It’s interesting to note
that Wende recorded his albums using the same group of studio
musicians who recorded for Kaempfert and Last; in fact, guitarist
Ladi Geisler also provided the distinct bass guitar backbone to the
Kaempfert sound.
The Delgado recordings were initially Latin-oriented, but they
eventually covered a number of different musical genres including
African, Italian, Russian, Greek and Jamaican music as well as
Broadway musicals and current pop hits. It could be argued that
Wende/Delgado helped to pioneer world music. He managed to break
into the German singles market with his version of “Mexico” in 1962.
He also arranged music for other German artists such as German
folk/pop singer Knut Kiesewetter.
Like most of his pop orchestral contemporaries, Wende’s popularity
had faded by the 1980s, and he gradually retired from playing music
professionally. In recent years, his music has become popular again,
and some of his recordings have been reissued on CD. |