XAVIER CUGAT

 


MERCURY - 134008 MCY

XAVIER CUGAT - X-CUGAT

Side 1: El cumbanchero - Amapola - Sway - The peanut vendor - Tea for two - Tropical merenque

Side 2: Siboney - Isle of Capri - Say "si si" - Perfidia - Mama Inez - Tequila


PHILIPS - 856301 YPY

XAVIER CUGAT - RUMBA, BOLERO, CHA CHA CHA

Side 1: Frenesi - What a diff'rence a day made - Brazil - La cumparsita - Besame mucho - Watermelon man

Side 2: Tico tico - My shawl - Miami beach rumba - Yours - Sweet and gentle - Autumn leaves

 


MERCURY - 126 024 MCE
XAVIER CUGAT
At the woodchopper's ball - Makin' whoopee
Jazz me blues - Fascination rhythm

PHILIPS - 429 151 BE
XAVIER CUGAT
Mambo nr. 8 - Cerego Rosa y Manzano Blanco
Lisboa antigua - Me lo dijo Adela

PHILIPS - 429 265 BE
XAVIER CUGAT
Los chismosas - Chatter cha-cha-cha
What a diff'rence a day made - Que gusto me da

 

XAVIER CUGAT (ARTIST BIOGRAPHY)

Francisco de Asís Xavier Cugat Mingall de Bru y Deulofeowas born  in Girona, Spain (1 January 1900 – 27 October 1990) He was a Spanish-Cuban bandleader whom many consider to have had more to do with the infusion of Latin music into United States popular music than any other musician. Perez Prado followed in Cugat's footsteps.

Cugat was born in Girona, in Catalonia (Spain).  With his family, he immigrated to Cuba when he was five. He trained as a classical violinist and played with the Orchestra of the Teatro Nacional in Havana.

On 6 July 1915, Cugat and his family arrived in New York as immigrant passengers on board the S.S. Havana. Entering the world of show business, he played with a band called “The Gigolos” during the tango craze. Later, he went to work for the Los Angeles Times as a cartoonist. Cugat's caricatures were later nationally syndicated.

In the late 1920s, as sound began to be used in films, he put together another tango band that had some success in early short musical films. By the early 1930s, he began appearing with his group in feature films. Cugat took his band to New York for the 1931 opening of Waldorf Astoria Hotel and it became the hotel's resident band. One of his trademarks was to hold a small Chihuahua dog while he waved his baton with the other arm.

He shuttled between New York and Los Angeles for most of the next thirty years, alternating hotel and radio dates with movie appearances in films such as Week-End at the Waldorf (1945) and Neptune's Daughter (1949).

In 1940, he recorded the song Perfidia with singer Miguelito Valdés which became a big hit. Cugat followed trends closely, making records for the conga, the mambo, the cha-cha-cha, and the twist when each was in fashion. His first marriage was to Rita Montaner, his second to Carmen Castillo (1929 – 1946), his third to Lorraine Allen (1947 – 28 April 1952), and his fourth to singer Abbe Lane in 1952. He and Lane performed together until their divorce in 1964. He married salsa dancer Charo on 7 August 1966. The two were the first couple to marry in the newly opened Caesars Palace on the Las Vegas Strip.

Cugat did not lose sleep over artistic compromises: “I would rather play Chiquita Banana and have my swimming pool than play Bach and starve.”

Cugat died of heart failure at age 90 in Barcelona in his native Catalonia, Spain.


(info from Wikipedia)